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joey.joelle
It does not matter how slow you go so long as you do not stop. confucius
guardian:
“ The Guardian began investigating Homan Square — a secretive Chicago police warehouse — in February 2015. After launching a transparency lawsuit, the Guardian has forced the Chicago police department to disclose internal records. They help...

guardian:

The Guardian began investigating Homan Square — a secretive Chicago police warehouse — in February 2015.

After launching a transparency lawsuit, the Guardian has forced the Chicago police department to disclose internal records. They help to tell the stories of thousands of detainees. 

These documents, still incomplete, provide the fullest scale yet of police detentions at Homan Square: the people, their race, their pickup locations, the charges … and the mayor.

Here’s what we know now — and what we still don’t — from the Homan Square disclosures.

  • New records acquired by the Guardian reveal 7,185 arrests of people taken to Homan Square between August 5, 2004 and June 30, 2015. This is approximately twice the 3,621 arrest cases documented in August from earlier police disclosures following the Guardian’s lawsuit.
  • Homan Square arrestees are disproportionately black. Approximately 82% of known detentions — or 5,906 arrests over nearly 11 years — were of black people.
  • 65% of all detentions documented have occurred in the five years since Mayor Rahm Emanuel came into office.
  • 53% of arrests were made more than 2.5 miles beyond the warehouse, which sits at the intersection of West Fillmore Street and South Homan Avenue on Chicago’s predominantly black and Hispanic west side.
  • 75% of arrests in the Homan Square documents resulted in drug-related charges, including marijuana, heroin, cocaine and methamphetamine possession and distribution.

Want to know more? Explore our interactive, read the full report, and watch the video

(via notime4yourshit)

linrenzo:

goodsoap:

i have always loved kelis and felt close to her and this really solidified that b/c i too want a magical home

I love her fucking house

(Source: airyull, via madredenutrias)

Swimming in Your Skin Again - Directed by Terence Nance

psych2go:

psych2go:

psych2go:

We bet you can’t 12/12 on this quiz about psychological conditioning!

 Can you do better than your friends? Can you correctly identify a conditioned stimulus from an unconditioned one?

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Trust us, this is not going to be easy! Do you know your Pavlov from your Crick? Try the quiz here!

What was your score?

Please add your MBTI type to the tags or comments, we’re curious to see who did best!

(Source: psych2go, via psych2go)

wvrthy:
“ Connecticut/ New York Area ONLY
if interested please DM me immediately.
You don’t need vast experience, just be comfortable in front of a camera πŸ˜‰ I have a very fun secret project and I need 3-4 additional brown skinned beauties πŸ˜πŸ‘ΈπŸΎ
”

wvrthy:

Connecticut/ New York Area ONLY
if interested please DM me immediately.
You don’t need vast experience, just be comfortable in front of a camera 😉 I have a very fun secret project and I need 3-4 additional brown skinned beauties 😍👸🏾

(via devoutfashion)

When people ask me why I care about cultural appropriation:

goldenpoc:

secretgayagendablog:

sugarmacaron:

kosmokhaos:

Because Kardashians will take cornrows 

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And turn it into this.

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Or take what is a racist caricature of a Black Bodies,

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And turn it into this while be praised for it.

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Or when Black women get mocked for their lips and Skin:

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But Kylie Jenner can be praised for doing this:

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Or when White people and celebrities can do this:

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But women like this are seen as ugly (even in their own communities) or a called terrorists by others:

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Things like that causes things like this:

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Ok tell me how it doesn’t matter again?

…I didn’t even know about that caricature

It seems to me that there are real… More immediate examples of racism out there to be upset about (i.e. Police brutality, black incarceration) than yelling at some bougie girl for liking cornrows. We have to stop worrying so much about perceived racism and start worrying about the actual racism that is going on all around us under the surface.

It’s just makes me so mad that even though people will see this and still don’t get it like this nigga^ @secretgayagendablog racism comes in many different levels. For you to say this is nothing because somebody is not dying in the hands of someone else bc of their race, it’s still bad! Like how can you look at this and still say there’s more things to be upset about than yell at someone for braids. People still die just for being themselves and doing things apart of their culture, so it is not just braids and it is plenty to get upset about. I mean yeah I wouldn’t hurt a white chick for wearing cornrows, but if she gonna wear cornrows and say some dumb shit yea I might just say something.

(via reverseracism)

THE CASE AGAINST PARENTING! Dr Shefali Tsabary

Click here to support Fund for the WEEN Academy by Oni Quezaire-Curtis

Click here to support Fund for the WEEN Academy by Oni Quezaire-Curtis

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Click here to support Fund for the WEEN Academy by Oni Quezaire-Curtis

huffingtonpost:

Watch Muhammad Ali’s Perfect Response To ‘Not All White People Are Racist’ – In 1971

Saying not everyone is racist doesn’t make racism go away.

(GIF Source: deehenn via Tumblr)

(Source: huffpost, via malcolmxisthegreatest-deactivat)

mylastnameisaplanet:

warsan shire - for women who are difficult to love

“you can’t make homes out of human beings. 
someone should have already told you that.”

archatlas:

African Canvas Margaret Courtney-Clarke

The Art of Africa is a casualty
of colonial exploitation, surviving
principally in the museums of
other countries. ~ 
Nadine Gordimer

My objective in this work is to document an extraordinary art form - vernacular art and architecture in West Africa - that is not transportable and therefore not seen in museums around the world. It is an attempt to capture the unseen Africa, a glimpse into the homes and into the spirit of very proud and dignified peoples. In much the same way as I photographed the art of Ndebele women, I have drawn on my personal affinity for the art itself, for methods, design and form, rather than the socio-anthropological or political realities of a people or continent in dilemma. These images portray a unique tradition of Africa, a celebration of an indigenous rural culture in which the women are the artists and the home her canvas.”

(via devoutfashion)